Author: Nik McGrath

  • Cardi Party 2017.04 – Bargoonga Nganjin

    Cardi Party 2017.04 – Bargoonga Nganjin

    The North Fitzroy community have waited 25 years for the opening of the Bargoonga Nganjin North Fitzroy Library, so as you can imagine anticipation was high, as well as expectations. Prior to the opening of the new library, North Fitzroy Library operated out of a shopfront in St Georges Road.

    Bargoonga Nganjin means ‘Gather Everybody’ in Woiwurrung, the language of the Wurundjeri people. My initial impressions of the library is that it is a warm, welcoming and inviting space with many gathering points both on the outside of the building along St Georges Road with window seats, within the library in reading rooms, study areas, seminar rooms and the gorgeous roof terrace. The building also has spaces for maternal and child health services, and a large multipurpose community activity space.

    The grand opening of the library was on 8 April. Leonee Derr, Library Team Leader Children’s and Youth Services and Branch Team Leader for Bargoonga Nganjin, gave newCardigan members a tour on 21 April, with her insights after two weeks of operations. Following the tour, Leonee shared her thoughts on what it takes to deliver a new library to a community.

    Bargoonga Nganjin is a 6 star building, featuring circular motifs in its design – for instance it’s gorgeous round windows, signage, tables, and patterns on walls. Leonee pointed out the 1960s style circulation desk which is also Yarra City Council’s customer service desk. It is a wide low desk, which is not ideal for staff interacting with customers.

    Leonee posed the question, ‘How do you set up a space so people feel it belongs to them?’ One example of this is the junior readers which have now been taken from the Children’s Reading Space, which is for toddlers, and moved to Young Adult literature, so that junior readers have a more suitable space to read for their age group. Furniture is also moved by visitors to the library. Within the first two weeks of operation children had made towers from the soft furnishings which caused a bit of a safety risk for adventurous types climbing and jumping off. The furnishings have now been removed from the Children’s Reading Room.

    Join Leonee Derr, Library Team Leader Children’s & Youth Services and branch team leader for Bargoonga Nganjin, North Fitzroy Library, for a tour of this beautiful space and a discussion about what it takes to deliver a new library to a community.

    The ground floor is the home of the junior collection. Leonne, as well as being Branch Team Leader, is also Team Leader Children’s and Youth Services. She is often asked how to develop programs to engage young people. Her response is that ‘engaging with the space is a type of engagement’. The library features many lovely reading nooks, and places where young people can feel comfortable in the space. Leonee stated, ‘You build relationships that lead to engagement, if you get the physical space right’.

    As we meander our way up to level 1, we notice the space is sound proofed well, so well that Leonee mentioned they almost needed to install white noise, but managed to stay within regulation. The adult collection and computer rooms occupy level 1, within the gorgeously designed space again featuring lovely reading nooks and copper plating along the window frames. The new library collection is extremely inviting, all those new books waiting to be read.

    The rooftop terrace is a lovely space to visit on a fine day – unfortunately the night of the tour was windy and wet, but I can imagine it will be a lovely space on a sunny day. Power points are available for visitors who would like to write on their laptops out in the sun. Neon artwork and the garden beautifies the space. Solar panels and water catchment on the roof is instrumental in the 6 star rating of the building. A commercial kitchen and conference space is available to the community.

    From 12 to 28 April the Talking Difference Portable Studio at the library is available for visitors to ‘get creative with ideas about cultural diversity, difference and racism’. Multimedia is available to ‘watch, create and share’ online.

    Leonee has participated in opening three new libraries, previously for the Melbourne Library Services’ Library at the Dock and Kathleen Syme Library. One important observation she shared was the three main stakeholders in making decisions about the new library, i.e. the architects, designers and money holders, often make decisions based on aesthetics over practicalities and functionality. Placemaking, a concept which has emerged over the past decade, is ‘about making a desirable space for the community’, and can be overlooked when considering aesthetics over functionality.

    During the planning stage, the local community protested against the concept of the new library development in the Edinburgh Gardens. The green space is important to the local community, and the idea of a library taking a large proportion of that green space was fought against. Interestingly the new library has a prominent green space on the roof terrace, which is responding to the needs of the community.

    The contrast between the library in a shopfront on St Georges Road, which was an intimate space, and the new library occupying a larger space, has required staff to work with the community about their interaction and behaviour in the new larger library space. The library is packed from 10am when it opens. Leonee believes in the customer service model, but also empowers her staff to feel safe in the space through the setting of boundaries. ‘The library is a share house’, declared Leonee. Perhaps everyone interacting in the space, staff and patrons, need time to feel right at home and to fall into a rhythm of engagement in their new home.


    Friday 21 April

    6.30pm
    Bargoonga Nganjin, North Fitzroy Library
    182 St Georges Rd, North Fitzroy

    7.30pm
    North Fitzroy Arms
    296 Rae St, North Fitzroy

    Getting there

    Tram: Route 11, stop 21; Route 96, stop 20.
    Train: South Morang Line, Rushall Station.
    Bus: 250, 251, (Park Pde) 504 (St Georges Rd)

    Tickets

    This event will book out. Get your tickets now.

    Get Tickets

  • Cardi Party 2017.03 – Gasworks Arts Park

    Cardi Party 2017.03 – Gasworks Arts Park

    Friday 10 March 2017

    6pm
    Gasworks Arts Park
    21 Graham St, Albert Park

    7.30pm
    The Vincent Hotel
    107 Victoria Ave, Albert Park

    Tracey McIrvine, Visual Arts Manager, discussing artworks from an upcoming exhibition, Gasworks Arts Park

    Tracey McIrvine likes the word zeitgeist. I’ve never met anyone who manages to use the word zeitgeist so often in a sentence. Her white thunderbolt fringe frames her face, and her strong opinions framed the vibe of our newCardigan event on Friday 10 March. Our March cardi party was a departure from any of newCardigan’s previous events. Meeting resident artists, printmakers, sculptors, and ceramicists in their studio spaces, and having the opportunity to hear from the artists themselves about their work, inspiration and prior exhibitions, it was intoxicating being amongst creative people that live and breathe their art every day. I must confess that I was a bit envious of their lives as self-employed artists. When I was young I dreamt about being a self-employed artist, but know from close friends now that it is a tough life financially to keep afloat and to stay true to your own aesthetic and ethics about who you collaborate with and partner on projects.

    For the past 16 years Tracey McIrvine has been a Visual Arts Manager, not an artist – she stresses, with an amazing vocabulary picked up from books (she has been an insatiable reader from the age of four). Tracey says she loves librarians. Enter librarians arriving late, and Tracey literally yells yay! I think this is the best response these librarians have ever received for turning up late to an event – their embarrassed smiles conveyed as much.

    An audience advocate – not advocating for one kind of medium – Tracey is a non-artist, passionate about the narrative of life. She also is an art buyer, advocating for audiences to buy art to support artists in their work. Her criteria for exhibiting at Gasworks Arts Park is based on the premise that ‘nobody will be embarrassed in my space – artworks are only ever exhibited if the artist is ready to go to market’. Tracey asks herself when selecting artworks for exhibition: ‘Is it made well? Is it meaningful? Is it local?’ It is clear that Tracey is passionate about exhibiting artists’ works who ‘communicate the crucial issues’, as she believes that community arts is a ‘great exchange of humanity’ – she asks her resident artists, ‘what do you have to say?’

    Gasworks Arts Park has 14 resident artists onsite. The studio spaces are spread out across the site in red brick buildings with tall ceilings and wonderful natural light. I managed to meet some of the wonderful artists and have brief but stimulating conversations about their art, and grabbed their business cards so that I could later find their folios online.

    Ursula Dutkiewicz’s The Art of Suff-Rage pieces in her studio, ceramic pieces from the travelling art installation Celebrating the Centenary of Women’s Suffrage in Victoria 1908 – 2008, Ceramics Studio, Gasworks Arts Park.

    Ursula Dutkiewicz is a ceramic artist who has contributed her work in a number of exhibitions at Gasworks Arts Park since 2002. When Ursula invited me into her studio space, she said ‘this is my history’. I was struck by the great number of ceramic sculpted suffragettes from her series The Art of Suff-Rage, which permiate the space. Both Ursula and I appreciate the significance of this work so close to International Women’s Day, although I would appreciate this work anytime of year. To explore Ursula’s work online, please visit her website.

    Leah Jackson and Gilly Thorne’s ceramic pieces, Ceramics Studio, Gasworks Arts Park.

    I very briefly met Leah Jackson and Gilly Thorne in the Ceramics Studio, and viewed their works in their individual studio spaces. To protect the rights of the artists, I asked permission before photographing their work. Rightly so, artists are careful not to photograph and publish their work online while in progress due to commissions received, and to protect their intellectual property rights. I know from artist friends of mine that their work is often stolen and reproduced overseas, which is wrong on so many levels.

    Leah and Gilly both work in ceramics, however they are opposites in aesthetics and the colours they use. Leah uses pastel colours and geometric patterns with organic and geometric shapes to her ceramic teapots and mugs. Gilly uses earth tones, greys, blacks and dark greens with organic shapes and abstract designs on the surface of her ceramics. The contrast between these very different ceramicists work is a delightful contrast in the display in the studio space pictured above.

    Kris Coad’s ceramic pieces in her studio, Ceramics Studio, Gasworks Arts Park,

    Kris Coad’s work is predominantly white, smooth, soft, unified and calming – a very pleasing aesthetic for someone like me that has a chaotic mind that needs soothing. Talking to Kris also had a calming effect, my brief conversation with her made me want to continue the conversation over a nice cup of tea. In addition to Kris’ gentle ceramic pieces, she also produces light installations which are often commissioned by restaurants and other venues. Kris completed her Masters of Fine Art by research at RMIT in 2002. Since then Kris has had nine solo shows, and over 60 group exhibitions. To view Kris’ work online, please visit her website at www.kriscoad.com.

    Kris Coat in her studio standing in front of her light installation pieces, Ceramics Studio, Gasworks Arts Park.
    Tanya George, Sculpture Studio, Gasworks Arts Park.

    Tanya George is a sculptor who works with a variety of materials and techniques to convey her vision for a piece. Her work is extremely varied and displays her versatile skills. Tanya grew up in Germany and moved to Australia in 1989, studied Fine Art and then in 1995 completed a Bachelor of Film and Television at VCA. After making a number of short films and documentaries, Tanya has returned to sculpture over the past few years. Sculpture is a trial and error medium, in Tanya’s view, especially as she often experiments with different mediums. Tanya’s installation Strange Fruit, for the land art exhibition From Nature at Gasworks Arts Park in May 2015, featured spinifex that Tanya had collected at a Port Phillip beach for the exhibition. The ephemeral nature of the exhibition – coupled with visitors taking the spinifex home with them (Tanya enjoyed this level of engagement from visitors) – limited the length of time for the exhibition to three days. To view Tanya’s works, please visit her website: www.tanja-george.com.

    Leahey working on a current oysters sculpture featuring light installation, Sculpture Studio, Gasworks Arts Park.

    Leahey told me that he breaks rules, he doesn’t follow them. He asked me where I was from, I explained I work at Melbourne Museum and I also organise events for newCardigan. Trying to explain GLAM (galleries, libraries, archives and museums) to a very cool artist like Leahey, I felt like doing a Wayne and Garth – get down on my knees and say, ‘I’m not worthy! I’m not worthy!’ I contained myself, and brought the conversation back to Leahey’s art practice. Leahey worked in the film industry, in Hollywood doing special effects and making robotics. He literally has a Mad Max prop he made hanging from his very cool studio space, see photo below. His work is industrial and often large in scale, with much of his heavy and welded artworks in public spaces. Do yourself a favour and visit his website and read Leahey’s very impressive CV. He also has an air of mystery, I’m not sure if Leahey is his first or surname, but having one name adds to his very rock and roll sculptor awesome vibe.

    Leahey’s studio including his Mad Max prop top left corner of the image, Sculpture Studio, Gasworks Arts Park.
    Wen Shobbrook’s studio, Visual Arts Studio, Gasworks Arts Park.

    Wen Shobbrook is interested in archive collections, local history and accessing this information to inform her art. I was happy to tell Wen that the Discovery Centre at Melbourne Museum provides artists with access to collection items in group sessions so that artists are able to observe and sketch the collection item – which excited Wen no-end. I have her business card, so I will be sure to contact her and follow up her interest. I have a number of artist friends who are also interested in accessing the museums collections, so we might have a group forming for Discovery Centre to run another session. Wen’s studio is a bustling creative space with a large arched window giving it beautiful natural light. My envy is in check, I promise. To visit Wen’s beautiful folio online which illustrates her interest in historical photographic collections of historical periods in local history, please go to wenshobbrook.wordpress.com/portfolio-2.

    Elizabeth Milsom’s studio, Visual Arts Studio, Gasworks Arts Park.

    Elizabeth Milsom is a printmaker and artist working with various techniques to naturally dye silk, working as an artist and teaching art for the past 30 years. Immediately coming into her studio I geeked out over her beautiful plan presses. I’ve always wanted plan presses at home to store my own artworks, I guess thinking about how to store my art is one of the reasons I was drawn to archive work. I had an extremely brief chat with Elizabeth as it was 7:30pm and our cardi party had sadly come to an end. To view Elizabeth’s work, please visit her website at emilsom.com. To find out more about newCardigan and future events, join our mailing list.