GLAM Blog Club July 2020

June days are over, July is here, and with it a new GLAM Blog Club theme. At the beginning of June, Jenny Scott introduced us to the theme of Risk. Clare contributed their thoughts about queer career cocooning, and Anne Reddacliff launched the new ALIA Sustainable Libraries Group blog with a post on things you can do to live more sustainably. We also enjoyed 25 posts from Alisa Howlett in her month-long video blog series on evidence-based library and information practice. Great work Alisa! As if that wasn’t enough blog content for you, several other cardies joined Alisa in Blog June. Check out all the posts from last month on the GLAM Blogs site.

For July our theme is play, Guest blogger Gene kicks us off this month with a personal story that combines our themes from last month and this month. We’re looking forward to your own contributions over the rest of July!


Playing games

Content warning: this blog post mentions sexual assault, bullying, abuse, and COVID-19.

I hate playing games. You’d think this wouldn’t be a problem in a professional context, and yet… In my work in libraries I’m constantly being thrown into getting to know you games at staff forums, role playing games during personal development training, puzzle solving games during UX design workshops, and team bonding board game afternoons. When I find myself in these situations my heart starts racing, I start sweating, I feel nauseous, and I start to feel shaky. I have a panic reaction, basically.

My reaction is, of course, the polar opposite to what’s intended, which is fun and enjoyable activities to make work more engaging and build relationships. Realising this, I sought help from a therapist. Through therapy, I came to understand that my reaction to games is connected to an incident in my late teens when I was sexually assaulted on the street on my way home from a poker night with friends. I didn’t see the perpetrator and never reported the incident, but have always wondered if it was a homophobically motivated attack by someone who knew me from school. As a man, I never felt comfortable sharing my trauma history with my managers. Although I did ask if I could sit out of some of the activities I found distressing and explained that they caused me pain (I have a number of chronic health conditions, and find that intense emotional reactions often trigger physical pain flare ups), I was told that they were important for team building and that I had to join in regardless.

GLAM sector professionals are more than 80% female (Australian Library and Information Association, 2019), and an alarming number of female-assigned and/or -identified people are the targets of men’s violence. The proportion of GLAM sector workers with a disability is also slightly higher than in the general workforce (Australian Library and Information Association, 2019), and there’s evidence that people who experience adverse childhood events (ACEs) are more at risk of developing chronic health conditions later in life (Barnes et al., 2020). GLAM institutions therefore have a responsibility to manage their workforces in ways that take account of the fact that a higher percentage of their staff than in the general workforce are, in all likelihood, trauma survivors.

Libraries and museums often use games with patrons, as well as with staff. And while it might not be common exactly to have a trauma response associated with games, like mine, it’s perfectly plausible that some people may have childhood histories of being bullied or abused that are tied up with schoolyard games or family game night. Indeed, the current COVID-19 situation may be associated, for many people, with a traumatic time in their lives when they were trapped at home feeling scared for their health, their loved ones, or their jobs, with little to do but play board and video games. One library I worked at used to put on escape room style puzzle games for new students for O-week. Next year’s intake of students may no longer react to the scenario of being locked inside a room with a buzz of excitement, but instead with the anger, fear, and frustration of being confined in COVID-19 lockdown. Games are supposed to be fun, so if a patron has a trauma response and isn’t enjoying themselves, they may experience feelings of shame. Trauma informed library and museum practice means acknowledging that patrons may have these kinds of reactions to programming that is intended to be enjoyable and making space for that.

References

Australian Library and Information Association. (2019). ALIA workforce diversity trend report 2019. Australian Library and Information Association. https://read.alia.org.au/workforce-diversity-trend-report-2019

Barnes, A. J., Anthony, B. J., Karatekin, C., Lingras, K. A., Mercado, R., & Thompson, L. A. (2020). Identifying adverse childhood experiences in pediatrics to prevent chronic health conditions. Pediatric Research, 87(2), 362–370. https://doi.org/10.1038/s41390-019-0613-3


GLAM Blog Club June 2020

May has come and gone, and here we are at the beginning of another month. You can check out all the posts from May on Aus GLAM Blogs, (and register your own blog while you’re there) but here are some highlights:

Don’t forget to tag your posts with GLAM Blog Club and use the hashtag #GLAMBlogClub when sharing them. Now here’s guest author Jenny Scott with some blog inspiration for our June theme, risk:


Thoughts on Risk

In the words of Kelly Clarkson, we’ve gotta take a risk, take a chance, make a change, and break away [from colonialist narratives, outdated exhibits, and irrelevant collecting practices].

It is clear that so many of us in the GLAM sector need to step out of our comfort zones and look to other disciplines to find new ways of engaging communities, forming partnerships, and telling stories.

Otherwise we run the risk of losing our relevance to the communities that we exist to serve; of losing our purpose.

It is a risk if we don’t promote diverse stories, if we don’t address the less-than-savoury pasts of our institutions, if we don’t produce exhibitions and texts that actively engage with the manifold, nuanced, and often dark histories of this country. (Not to be too dramatic, but we run the risk of our reputation in popular culture becoming a reality – of people who live to sternly shush visitors from behind dusty stacks of boxes).

With these risks in mind, here are some Perth-based projects and organisations that inspire me (because the rest of Australia tends to forget we exist).

I’m definitely not implying every cultural institution should transform into a travelling caravan or devote themselves entirely to posting endless ‘recreate our famous paintings’ memes on social media. Rather, these are examples of agile organisations and projects that respond to the needs and interests of their communities – who work to empower, hold relevance, and promote layered and accessible histories beyond any official singular narrative.

  • The Chin Wagon – a custom-built traveling recording studio designed to capture community-led conversations, from the team behind the wildly popular Barefaced Stories platform.
  • The Centre for Stories – a cultural institution dedicated to inclusive storytelling, with an empowering program of events, publications, and projects providing platforms for a vast range of diverse and under-represented communities (disclaimer: I sometimes volunteer here).
  • Contemporary art projects in general! As one specific example, ‘The Lion Never Sleeps’ was a show at Fringe World 2020 offering a silent-disco-style walking tour of Northbridge exploring queer histories of the area during the AIDS crisis of the 1980s. Presented by Noemie Huttner-Koros, this was a deeply engaging example of re-introducing hidden and subversive histories into the spaces they once occupied.
  • The Perth Aesthetics Facebook Group (admittedly this is a stretch to include) – a user-led celebration of shared cultural landscapes in all their kitschy, cringey, and bizarre-o glory. This is probably common to many place-specific social media groups (although this one is great because there are less racists).

I guess I want to raise some questions – how can we maintain long-term relevance as GLAM institutions?

What needs to change for us to embed the contemporary values of accessibility and inclusivity into our work?

How can we improve our ‘bad vibes’? (See The White Pube piece that inspired this blog post).

Note: the topic of ‘risk’ takes on a particular poignancy in our current age of COVID-19, while so many aspects of our sector (and indeed wider society) appear to be at risk. I think it’s worth acknowledging that everything is very hard right now – really it’s amazing that anyone still has the capacity to remain productive during these especially trying times. So perhaps this blog is an attempt at offering inspiration, rather than a call to action (for now!).


GLAM Blog Club – Forever

There were plenty of blog posts in April, but only a few tagged #GLAMBlogClub for our ‘free square’ theme.

New to the club was Jacqui Sanders with her post on the Asylum’s most asked about object. I explained how to automatically delete your old tweets and toots using your own computer. Two COVID-19 themed posts round out our formally tagged collection – Ellen Forsyth was looking for partnerships, and Alissa McCulloch described her frustration with the martyr complex.

Check out the other posts from April on Aus GLAM Blogs.

To participate in GLAM Blog Club:

  1. Include the tag GLAM Blog Club in your post
  2. Tweet/Toot about it using the hashtag #GLAMBlogClub
  3. Register your blog with Aus GLAM Blogs so we can find it and it gets automatically shared with the Australasian GLAM community

From this month on, newCardigan will hand over the controls each month to a special guest blogger from the newCardigan community, to inspire you with a post on that month’s topic. For April 2020 our theme is Forever, and Danielle J is our guest blogger.

Hugh.


In romance novels, “forever” is the bit at the end where the couple have worked through their issues; they know they can’t live without each other, usually there’s kissing. Getting to the happily ever after is the best bit, and I’m completely and unashamedly romantic about the idea that something could last forever.

Which could explain why I’ve always loved old books, going to galleries and museums and looking at things that have been around forever. I am fascinated about who the people were who made it, what their lives were like and how against the odds it’s survived, when so much doesn’t. I’ve always been interested in preservation of physical objects, it’s an art but strongly based on science and requiring knowledge of inorganic chemistry – it definitely appeals to my inner science nerd.

For us in GLAM industries and especially memory institutions; collecting, preserving and organising for future generations is what we do. The ongoing challenge of collecting and preserving born digital objects, is a conversation we have been having since I started in the industry ten years ago. I think frequently about what knowledge of everyday life will be lost because a lot of our interactions are now ephemeral – we text or email rather than send letters. Can enough of the experience of ordinary people be captured so that scholars of the future get an understanding of who we are?

It would be hard to write this post without mentioning that we are living through a global pandemic. Right now, it feels a bit endless and like isolation and disruption will go on forever. But for collecting institutions it’s a perfect opportunity to capture and preserve this moment in time and space.

In recent days a number of state libraries have launched projects to collect objects and stories about our isolation experiences. The memory bank, which is the State Library of Victoria’s project, wants to actively collect objects from the community. I also know of friends who work in local history, taking photos around their area to document the empty streets and shopping centres.

I’m really looking forward to reading posts from GLAM colleagues who work in this area, as there’s a lot that I’m interested in but know very little about. So, go on, what does forever mean to you?


GLAM Blog Club April 2020

Hello cardiFriends

Yes, we know it’s hard to believe, but March has in fact ended. We didn’t see a lot of blog posts specifically addressing our GLAM Blog Club theme of partnerships, but some cardies found time to blog nonetheless.

Glenn Harper provided a few days of updates on what ‘Corona closure’ looked like in a public library. Niamh Quigley is helping us to #FeelConnected, and Matt Finch ..well, he wrote a lot this month! Danielle Johanesen spoke up, even though her voice shook, and Rebecca Lush continues to supply some great Museum reviews. Ellen gave us some top notch castle content, whilst Miss Koko educated us about IGTV. Fallon Spangler shared her experience of the Compass leadership program, whilst the mysterious Edward Shaddow shared his experience on work placement at ARDC (JEALOUS, MUCH???).

We also had some great COVID-19 related content. Historical Ragbag gave us a great quiz to pass the time, and told us about Hygienic Libraries. Sayraphim Lothian provided insights on online videos and the relationship between Pandemic TV and YouTubers, and the aforementioned Glenn Harper series was All COVID-19 All The Time. Topping and tailing the month were Nikki Anderson with 10 lessons from Brené Brown, and yours truly with an exciting (for me) update on the new software running Aus GLAM Blogs. Incidentally, the new “last month” search feature made this post a lot easier!

For April, you all have “free square” to write about whatever you want. In this week’s newCardigan newsletter we called for volunteers to be guest bloggers right here on newcardigan.org each month. If you’re interested, please email us at hello@newcardigan.org. Hopefully you’ll see a  new voice to inspire you at the beginning of May – in the meantime, we look forward to reading your blog posts written from your home offices!

Don’t forget you can register your blog with Aus GLAM Blogs, and if you use the tag GLAM Blog Club if will use the hashtag #GLAMBlogClub when tweeting (and now tooting) your post to the world.


GLAM Blog Club March 2020

In February for GLAM Blog Club we were feeling a little queer. Clareifications aka Reid Marginalia shared their thoughts about librarianship as performance, and going feral.

Meanwhile David reminded us the Uni goes back this week, Snail suggested a little weed, Nikki shared 10 lessons from Brené Brown, and I quit Twitter and started an email newsletter.

In March our theme is partnerships.

We have some exciting changes coming at newCardigan in the next couple of months, including possibly for GLAM Blog Club, so make March count!


GLAM Blog Club – February 2020

January’s theme was ‘Humour’, thanks to Melinda for the suggestion, and special thanks to Anne who gave us another great video and our only blog on the theme for the month, adding to our collective happiness.

Ellen wrote a blog about a book that brings her joy which is very close to humour 🙂

Hugh blogged about 2019 and all the things it held.

Sally wrote a blog about her DNF list, here’s hoping 2020 will bring you better books.

Kathryn looked back over the past decade and asks the hard questions about the future.

And Mike wrote a touching piece about the January long weekend.

Our topic for February is ‘Queer’ as suggested by newCardigan’s own Extra-Ordinary member Clare O’Hanlon! Working with some queer archives? Done something to help make your spaces more inclusive? Or maybe you want to put on some queer glasses and take a look around your GLAM and see what’s missing? Whatever it is, we want to hear about it!

Tag your blog post “GLAM Blog Club”, tweet a link to it using #GLAMBlogClub, and register your blog at glamblogs.newcardigan.org. Happy blogging!